Red buds, red duds, red bubs

I just spent a lovely day at Chisholm Elementary School in Edmond, Oklahoma. It really couldn't have been more perfect: well-prepared, well-behaved kids, scrumptious treats brought in to eat (these amazing frosted cake balls - trust me, they were delicious!), librarians I could have talked to forever.

Now that my boys, at ages 18 and 21, are too big to provide fodder for my books, and I no longer have the chance to serve as a parent volunteer in their classrooms, I walk through school hallways hungry for story material. A couple of years ago I scored big when I saw a hallway display of student work for an assignment in which students had to come up with ideas for how they would change the world. That was the seed for How Oliver Olson Changed the World. I even borrowed two student ideas verbatim: the jet-powered skateboard, and the plan from one little girl - "I would give food to poor people so that they won't starve, and if they starve, I will go to their funerals."

I didn't get any full-blown book ideas today, but I did get to see a delightful bulletin board with the heading, "SPRINGTIME IN OKLAHOMA." Featured on it were kindergarten pictures of red bud trees in bloom, the buds made of tiny pieces of crumpled pink tissue paper, the pictures labeled by the kindergarteners with their kindergarten writing and spelling: "red buds," "red duds," "red bubs." That put springtime in my heart right there."

Sometimes I think I should write about other subjects than kids at school - something enduring and timeless, not so grounded in the here and now. But then I go to a school for an author visit and see a bulletin board with red duds and red bubs in bloom, and I think, what could possibly be better than this?

Party Week

This is the last week of the semester at CU. I won't do a party for my large lecture class - just a very helpful review session with all the answers for the final handed to them on a silver platter. For my small 11:00 a.m. freshman intro to ethics class, held in the Farrand residence hall, I'll just have donuts and orange juice. Ah, but for my Rousseau class, we will have the best party imaginable.

The food will be food Rousseau would have loved: crusty, rustic baguettes - cheeses from France and from his native Switzerland - fruits mentioned in the Confessions (cherries, if I can get them, grapes if I can't, apples) - a few sweets "for the ladies," as one of my students said, as Rousseau commented frequently that women prefer milk products and sweets. For music, we will listen to the CD of Rousseau's opera, Le Devin Du Village (The Village Soothsayer), for which he wrote both libretto and score - what other great philosopher can boast of an opera in his collected works? We will discuss the last and most haunting of Rousseau's late-life Reveries of the Solitary Walker: the Tenth Walk, unfinished at the time of his death, the walk from which Rousseau never returned.

I also have a Rousseau-themed game. I'll tape index cards to each student's back, bearing the name of a character from one of Rousseau's works, and the student will have to guess his/her identity by asking only yes/no questions: "Am I man?" Am I fictional?" "Am I in love with Julie?" "Am I St. Preux?!!!" I have easy ones like Madame de Warens and Monsieur de Wolmar, but also hard ones like "the magician with the wax duck" and "Robert the gardener."

I can't wait for my Rousseau class party!

Pandas' Earthquake Escape

This morning I went to my writing group friend Phyllis Perry's book signing for her brand-new picture book, Pandas' Earthquake Escape, a fictionalized account of the plight of two pandas fleeing from the destroyed Wolong Panda Reserve after the massive Chinese earthquake of 2008. The book flap says that Phyllis has written over 70 books. I don't remember how many she wrote before she joined our writing group, but I know that she wrote the vast majority of them during her time with us, everything from this picture book, to a collection of poetry, to adorable library mysteries, to nonfiction for children and adults on subjects ranging from ocean animals to Rocky Mountain National Park.

Our group has been meeting together for 18 years: originally with eight members (I was the eighth) and now with five; the other three remain dear friends and join us for our annual Christmas dinner. Among the five of us, I think we have close to 150 books published. When we began, we had hardly any. At least three of us were completely unpublished when we began; now all of us are published, and some, like Phyllis, as published as you can be.

From our group, Annie and her husband and I were in attendance this morning, to cheer Phyllis on and come away with our very own signed copy of a book we watched Phyllis create. Congratulations, Phyllis, on another wonderful book.

Cutting/Adding

I consider one of my main life talents to be cutting manuscripts. In another life, I would have worked for The Readers Digest, abridging articles and books. In this life, I spent a decade as the editor and staff writer for the Institute for Philosophy and Public Policy at the University of Maryland, where one of my chief tasks was taking people's 40-page papers and making them into 10-page papers to publish in our quarterly journal/newsletter. Often the author couldn't figure out what I had removed. I was that good.

I have always believed that just about any manuscript benefits from cutting. When I was first learning how to write a picture book, the process for me was all about cutting my wordy middle-grade-novel-ish draft into something tighter, more shaped and sculpted. The more I cut the story, the better it got.

But now Nancy Hinkel at Knopf wants me to ADD 25-30 pages to my chapter book (tentatively titled Mason Dixon's Pet Disasters). Mason is a curmudgeonly fourth grader who resolutely doesn't want a pet; his well-meaning but clueless parents present him in turn with a goldfish, hamster, and cat, all with disastrous results. Then, to his great surprise, Mason falls in love with a most unlikely dog. The Knopf format for chapter books is longer than I'm used to, so she wants me grow my 70-page story into 100 pages. The strange thing is that I'm doing this, the book is getting better. I'm finding that it is so much more heartwarming to see Mason's attachment to Dog grow more slowly, with more initial resistance on his part. The greater his initial resistance, the more powerful the moment when he finally capitulates.

How can this be? How can ADDING improve a manuscript when it's supposed to be CUTTING that improves it? As the King of Siam would say, "Eez a puzzlement!" Maybe - maybe every manuscript is different and no one-size-fits-all rule applies? I'd still put my money on cutting as the preferred technique for manuscript improvement. But, oh, I am loving every new page I'm giving to Mason right now.

Fairy Dust Triumphant

You may remember that when I was in New York in January, ready to attend a poetry writing retreat held at a convent in Mendham, New Jersey, I visited Alice's Teacup on the Upper West Side and had one of my manuscripts sprinkled with fairy dust. The week after I returned, I received an email from Stephen Fraser of the Jennifer De Chiara Literary Agency. First Stephen apologized for not getting back to me sooner (it had been only a week!). Then he said he wanted to represent the manuscript, first of a proposed three-book series.

I am now pleased to report that Stephen has sold the series to Nancy Hinkel of Knopf/Random House, in a three-book deal.

I have loved Nancy Hinkel for years. I met her years ago at an intensive writing workshop at Brigham Young University, where I was serving as a faculty member and she as one of the two guest editors. We hit it off immediately. We both love to start a new life on the first day of the month, implementing resolutions about diet, fitness, frugality, and splendid and dazzling things to be accomplished in our work. Periodically, over the intervening years, we would email each other on the first day of the month to see if the other one was also starting a new life. We love the same books: Knopf published The Penderwicks, by Jeanne Birdsall, which won the National Book Award in the category of Literature for Young People in 2005, the year I was a judge.

I got the offer last month but was too shy to blog about it until now, overcome by the power of that fairy dust. Stephen and Nancy worked out the details of the offer to present to me on March 31. Nancy told Stephen that she wanted it settled by that date so that she and I could begin our new life together on April 1.

I still love my home publisher, Farrar, Straus & Giroux, and my beyond-brilliant editor there. I hope I can publish books with FSG as long as I live. But I'm so excited about being able to write and publish more books. I like writing and publishing books.

I think I can count my tea and scones at Alice's Teacup as a legitimate tax deduction. Don't you?

Theodore Gouvy

And who, you may ask, is he? Answer: a 19th century French composer of instrumental music, now largely forgotten. I heard his Quintette, Op. 24, performed tonight in a lovely concert by the Chamber Ensemble con Grazia, in the Broomfield Auditorium. There were four pieces on the program, culminating with Gouvy. His quintet was preceded by a brief lecture about the man and his music, which led me to ponder the vagaries of fame.

I liked the Gouvy piece as much as I liked the Haydn Trio in G major that opened the program. But Gouvy is so forgotten, lecturer Robin McNeil told us, that the score for the piece performed tonight has only been checked out of the Library of Congress twice, and the time before this one was in the 1920s. McNeil, who has spent fourteen years researching the music of Gouvy, said that people pronounce the music as delightful, but then go on to say, "But it can't be all that good, or else more people would be listening to it." Thus the lack of fame is itself justification for the lack of fame. McNeil is trying to lead a revival of Gouvy, who was quite popular as a composer during his lifetime. I wonder if it will catch on. Bach, Beethoven, Brahms, and - Gouvy?

I'm all for revivals of forgotten artists from the past. Maybe there will be a Mills revival someday? The only problem is that Mills is not yet famous enough during her lifetime for the swelling of fame for her a century after her death to count as a revival, exactly. A discovery, would be more like it. For now, I'll just content myself with rooting for Gouvy.

My World Through Others' Eyes

Oh, Kim and I had fun! Besides the nonstop heart-to-heart conversations all day long, I had the treat of showing Kim my life and my world. As I showed them to Kim, I found that I liked them.

On Tuesday, the afternoon of Kim's arrival, she and I attended a master class at the College of Music at CU by the remarkable cellist Ralph Kirschbaum. Six student cellists performed pieces by Beethoven, Bach, Brahms, Schumann, Benjamin Britten, and Bohuslav Martinu. The student performances were so accomplished that it was hard to see what Mr. Kirschbaum could find to critique. He found plenty. Here is the one piece of advice I wrote down on my program: "Every note emphasizes something in the music. You want to make sure it emphasizes something IN the music." That evening, after a dinner at Hapa's on the Hill, we attended a lecture in the Philosophy Department's THINK! series, on "Virtue and Violent Video Games."

Wednesday, Kim came to all my classes with me and played student. In my 9:00 Philosophy and Society class I lectured on the deficiencies of various possible justifications for the practice of punishment and the alternative possibility of replacing punishment altogether with mandatory victim restitution. In my 11:00 Intro to Ethics class, I led a small class in discussion of the Shambhala (neo-Buddhist) choice between a rising sun versus setting sun view of ecological sustainability in our world, inviting the students to brainstorm with me on the worst possible setting sun meal and the best possible rising sun meal. This inspired Kim and me to have a rising sun salad lunch outdoors at Boulder Greens. Then Kim attended my 2:00 Rousseau class: Books 9 and 10 of his Confessions, in which Rousseau, living in seclusion at the Hermitage, writes Julie, Emile, and The Social Contract, as well as falls in love for the only time in his life. That evening we had a glass of wine at the St. Julien Hotel, where Kim was staying, out on the terrace with my friend Rowan, and then had dinner together, the three of us, at Cafe Antica Roma on Pearl Street.

On Thursday, I met Kim at the hotel and we headed over to the Boulder Bookstore's Bookends Cafe, where I graded papers and Kim read. My daily quota of five papers completed, we browsed in Pearl Street shops until it was time for lunch at the Dushambe Teahouse, and then a tour of the three extremely varied exhibits at the Boulder Museum for Contemporary Art. We walked up to the university and popped in to the Navajo weaving exhibit at the small museum at campus.

A short Skip ride on the bus later, we were at Rowan's house, collecting her for a hike up on one of our two favorite mountain trails, the one we call "Claudia's trail" as opposed to the one we call "Rowan's trail." Rowan served us a delightful light salad supper, and then Kim and I Skipped back to CU for a graduate student jazz guitar recital.

So I looked upon my world through the eyes of a visiting friend - the stimulation of the university, the beauty of the mountains, the dearness of my friendships - and I declared it good. Remind me not to complain too much about anything! My life is good.