In the previous post I confessed that I have been spending the first, best hour of my day NOT on writing (my passion, my profession, my identity, my bliss) but on New York Times word puzzles.
My work-in-progress was stalled. I thought it was simply because I was stuck, unsure where the story should go next. In fact, I told myself, maybe sinking for hours into the La Brea Tar Pits of the puzzles might be, oh, I don't know, a sort-of meditative practice that might actually help me get unstuck.
But of course, the truth I was avoiding was that I was stuck because I was allowing myself to do New York Times puzzles instead of putting in a faithful hour a day sitting, pen in hand, trying to unstick myself.
It was my sweetheart, ruthless though loving truth teller that he is, who pointed this out to me.
I had to admit he might be on to something.
So for two solid weeks back in December, I made a commitment to myself to return to devoting that first, best hour each day to writing.
I prepared everything the night before, carrying my writing materials and hourglass up to my writing nook and even filling the electric kettle with enough hot water for a pot of heavily sugared tea, with teapot, mug, and teabag in readiness on the kitchen table.
The pages came pouring out of me. I wrote the entire last third of a 45,000-word draft in those two weeks, and the scenes I wrote were GOOD. Dare I say, with an author's besotted love for her own creation, they were WONDERFUL. All day long, I hugged myself with happiness for what I had written and could hardly wait till the next morning to see what would happen next as the story hurtled toward its climax and denouement with the fabulous force of momentum making it happen.
Oh, and I still finished the puzzle every day, doing it in bits and pieces, as a palette cleanser between other activities, which turned out to be a much better way to approach puzzles, at least for me.
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